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453 Music

[EP] Cory Chisel - Upstairs At United, Vol. 2 (08/17/2011)

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Cena 59,94 zł
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Płyta dostępna od ręki lub na zamówienie
Czas wysyłki: NA ZAMÓWIENIE - wysyłka 30 dni roboczych
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Cory Chisel - Upstairs At United, Vol. 2 (08/17/2011) [EP]

Format: EP

Label: 453 Music [638302576673]

RELEASE DATE: November 25, 2011

Description:

UNITED RECORD PRESSING AND 453 MUSIC PRESENT ''UPSTAIRS AT UNITED'', A SERIES OF ALL-ANALOG VINYL RECORDS RECORDED INSIDE THE HISTORIC UNITED RECORD PRESSING PLANT IN NASHVILLE, TN Three originals and two cover songs recorded live on August 17th, 2011 direct to quarter inch tape upstairs in the historic United Record Pressing record release room. All analog and cut at 45RPM for the ultimate listening experience. * Cory Chisel was named one of Rolling Stone's ''Best New Artists'' of 2009 for his critically acclaimed RCA debut ''Death Won't Send A Letter'' * In the last few years he has played Carnegie Hall, Newport Folk Festival, Glastonbury and Bonnaroo and has opened for Jackson Browne, Emmylou Harris & Lucinda Williams. * He is currently in the studio recording his sophomore release Like notable musicians before him, singer-songwriter Cory Chisel forged his first connection to the power of song through the music he heard - and made - in church. His father was a Baptist minister, his mother played piano during services, and an upbringing surrounded by sermons and spirituals instilled in Cory the passion and portent of language and melody, and a fluency in the gospel's rich vernacular of loss and redemption. His debut album for RCA, ''Death Won't Send A Letter'' was produced by Joe Chiccarelli and featured members of The Raconteurs, My Morning Jacket and Dead Weather. Chisel also appeared along with Jim James, Tom Waits and more on Preservation Hall Jazz Band's award winning album ''Preservation'' in 2010. Format: 12'' Black Vinyl EP, 45RPM Packaging: Kraft-style, die-cut, custom series jacket, stickered, in resealable polybag, color insert Export: Worldwide Side A

Tracklista:

1. Old Love
2. Never Meant to Love You Side B:
1. Rosie (Tom Waits)
2. The Change Is Made (Bee Gees)
3. In The Deep End Upstairs At United, is an all-analog series of vinyl record releases recorded inside the historic United Record Pressing plant. Each recording is captured directly on analog tape then cut to 12 EPs at 45 RPM. The records are presented in Kraft-style packaging that highlights the authentic all-analog approach used in making these records, which includes session-specific inserts with color photos from the recording sessions, and come in archival quality resealable poly bags. The goal of the Upstairs At United series is to not only release beautiful music recorded in a classic all analog style, but also to celebrate the rich musical and cultural history thats taken place inside this 49 year old building. Established in 1949, United Record Pressing is the oldest vinyl record manufacturing facility in America. The doors to its present location first opened in 1962; in response to a then segregated South, United created an apartment above the plant to host the record label executives and artists who were excluded from hotel accommodations due to the color of their skin. This apartment, now called the ''Motown Suite,'' is still furnished in its original decor. Adjacent to the apartment is a large space solely dedicated to hosting record release parties and other events for labels and artists. Among the many, its believed that this room hosted parties for The Supremes, Smokey Robinson, The Cowsills, Wayne Newton, and a signing party for a 16-year-old Hank Williams, Jr. In addition to existing as a monument to our musical and cultural history, the space upstairs at United Record Pressing continues to host events for artists, labels, and other lovers of music. It is in this sacred space that the Upstairs At United series is being recorded. The recordings were engineered by Chris Mara and his analog studio Welcome to 1979 located in Nashville, Tennessee. All recordings were done live directly to ? inch analog tape using a sixteen channel vintage recording console and vintage microphones and outboard gear, with no overdubs, edits or audio sweetening. What you hear is music in its most pure form: the recordings capture the end product of the artists together in a single room, complete with all of the enthusiasm, spirit and soul that is the foundation for this great art form.

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